|
|
| |
|
| |
Now
Available from
Maurice The Fish Records
Pope Jane - Slightly Used
The Best Of Album
A
two CD set compiled onto
one disc, fans will love all 19 digitally
remastered tracks spanning 13 years and five
albums, including four new
sneak-peak tracks at
Pope Jane's brand new
upcoming album,
Tin Star Revival.
A must have for
Pope Jane fans! Order yours today - only
$19.95 + shipping!
|
|
Americana |
Pop |
Adult
Album Alternative |
Alternative
Rock |
Alternative
Rock |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Coming Soon! |
|
|
|
Dog
and Pony Show
Released July 8th of 2003
Dog
and Pony Show is a true Americana offering,
marrying many of Pope Jane's favorite tunes and the
vocal style of Danielle Egnew with the back woods melancholy
and signature slide and lead guitar work by Paul Houston,
while featuring Todd Connelly on bass. Pope Jane's pop
sensibility, and soaring, soulful vocals took a stylistic
turn on this album, recorded and mastered in Los Angeles
and co-produced by Danielle
|
| Egnew
and Paul Houston. The Americana flavor of Dog and
Pony Show beckons back to a time when good music
came from the gut and talent came from the hands of musicians
in the gusts across the highline. Dog and Pony Show
is a masterful Americana painting, splashing a textural
and hook-oriented canvas with fresh toe-tapping grab and
grace. If you are partial to big vocals and buttery slide
guitar work, then you'll love the Americana twang of Dog
and Pony Show. |
 |
Lyrics
coming soon!
|
|
Industry
Whore
Released
in January of 2001
The reviews came in for this powerful parody of the
pop music industry were rave, even though the album
was intended to be tongue in cheek! Singles "Forgive
Myself" and "Been There, Done That" received
FM radio play all over the country. The "Forgive
Myself" Video, directed by Lance Mora, skyrocketed
to number one for over one month on then then-first
internet webstreamer, NetthisTV in LA. Actually a solo
project written, played and
|
produced
by Danielle Egnew, she credited the band in the inside
jacket of Industry Whore as part of the spoof
theme of the album. Danielle Egnew's mega-production
of Industry Whore dwarfed even her large production
style aimed at the band's 1998 release, Relief,
and was aimed to parody the mega-pop radio over-production
of 2000-2002. The album's candy-pop production does
serve the songs incredibly well, lending an entirely
different sound to this faux "Pope Jane" album.
Not the traditional Pope Jane sound, of course, but
If you like a hooky tunes and a good sense of humor,
this album is for you.
|
| |
Hide
Me From The Moon
Released December 14th of 2000
Pope
Jane's third album, Hide Me From The Moon,
was released to a packed capacity crowd in Billings,
Montana, at Casey's Golden Pheasant. Three video cameras
showing the live performance on three large screen TV's
allowed all who came to see the event a good seat. Hide
Me From The Moon is the most-acclaimed and most
fan-popular Pope Jane release to date. After landing
a spec recording deal, Pope Jane flew out to Seattle,
where they recorded this popular third project. Produced
this time by the entire band and the band's former manager,
Hide Me From The
|
Moon
represents the most the true-to-live Pope Jane sound,
breathing deeply of fluidity, groove, movement, and
warm vocal passages, featuring all three memebrs of
the band. A brilliant, explosively emotional and straight-forward
follow-up to Relief, Pope Jane made yet another
favorable international showing with this third release,
garnering praise from publications across the mainstream
and independent music spectrum, all while solidifying
the band's name in the music history books. If you love
Pope Jane live, and you love the true Pope Jane sound,
you'll be yet another who loves Hide Me From The
Moon.
|
| |
Relief
Released December 4th of 1998
Pope
Jane's second album, Relief, was released
to a sold-out show at the infamous Casey's Golden
Pheasant in Billings, Montana. This album is powerful
enough to make reviewers think in both directions
-- edgy and dark, and people either loved it, or hated
it. Produced and mixed by Danielle Egnew and mastered
by Seattle's Steve Smith, (Garth Brooks, Hansen,
Heart) Relief took six months to record
at May Technical School in Billings, Montana, on a
chained ADAT system, having been recorded with no
compressors, due to a failure in the compressor chain.
(Danielle watched the board meters and rode each fader
manually as the signal came in, so technically, there
|
was
a compressor -- it was Danielle.) Relief
is an emotional roller coaster threaded with subtle,
tasty ear candy and soul-splitting arrangements --
one of the biggest, and most heavy Pope Jane studio
productions to date. Though Holly and Kristen felt
Danielle tricked Relief out a little too
much in the studio -- it has been cited in several
industry publications in the late 90's as an benchmark
for cutting edge production styles for the time. |
 |
Out
of print
|
|
Pope
Jane - Self Titled
Released
in September of 1995
A blast from the past! Pope Jane's first basement
tape -- literally -- recorded way back, when they
were an all female four piece band, with Rita Brown
on lead guitar. Pope Jane's first self-titled release,
produced by writer/vocalist Danielle Egnew, hit the
retail outlets in the fall of 1995, and sold like
a spreading prairie fire. Reviewed and thoroughly
enjoyed, this album was only produced in the cassette
format, and sold out of many re- |
pressings. It boasted two different jackets and is
currently very difficult to find, as it is out of
print. |
|
